King Lear Study Guide
Act I, Scene 1
King Lear's palace

Scene Summary

The opening scene establishes both main plots of King Lear. In the opening conversation, Gloucester introduces his illegitimate son Edmund to Kent, speaking casually about Edmund's birth in a way that reveals the social prejudices that will later motivate Edmund's villainy. When King Lear enters, he announces his plan to divide his kingdom among his three daughters based on their public declarations of love. Goneril and Regan deliver elaborate, flowery speeches that please their father, but Cordelia refuses to participate in the charade, declaring simply "Nothing, my lord."

Enraged by what he perceives as ingratitude, Lear banishes Cordelia and strips her of her inheritance. When his loyal advisor Kent attempts to intervene, Lear banishes him as well. The Duke of Burgundy, who had been courting Cordelia, withdraws his suit when he learns she comes without a dowry, but the King of France recognizes her true worth and takes her as his queen. The scene concludes with Goneril and Regan plotting together, recognizing their father's declining judgment and preparing to protect themselves from his unpredictable behavior.

Translation Style
✨ Character Voice Translations PREMIUM
Original Text
KENT I thought the king had more affected the Duke of Albany than Cornwall. GLOUCESTER It did always seem so to us: but now, in the division of the kingdom, it appears not which of the dukes he values most; for equalities are so weighed, that curiosity in neither can make choice of either's moiety. KENT Is not this your son, my lord? GLOUCESTER His breeding, sir, hath been at my charge: I have so often blushed to acknowledge him, that now I am brazed to it. KENT I cannot conceive you. GLOUCESTER Sir, this young fellow's mother could: so grew round-wombed; and had, indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault? KENT I cannot wish the fault undone, the issue of it being so proper. GLOUCESTER But I have, sir, a son by order of law, some year elder than this, who yet is no dearer in my account: though this knave came something saucily into the world before he was sent for, yet was his mother fair; there was good sport at his making, and the whoreson must be acknowledged. Do you know this noble gentleman, Edmund? EDMUND No, my lord. GLOUCESTER My lord of Kent: remember him hereafter as my honourable friend. EDMUND My services to your lordship. KENT I must love you, and sue to know you better. EDMUND Sir, I shall study deserving. GLOUCESTER He hath been out nine years, and away he shall again. The king is coming. [Sennet. Enter KING LEAR, CORNWALL, ALBANY, GONERIL, REGAN, CORDELIA, and Attendants] KING LEAR Attend the lords of France and Burgundy, Gloucester. GLOUCESTER I shall, my liege. [Exeunt GLOUCESTER and EDMUND] KING LEAR Meantime we shall express our darker purpose. Give me the map there. Know that we have divided In three our kingdom: and 'tis our fast intent To shake all cares and business from our age; Conferring them on younger strengths, while we Unburdened crawl toward death. Our son of Cornwall, And you, our no less loving son of Albany, We have this hour a constant will to publish Our daughters' several dowers, that future strife May be prevented now. The princes, France and Burgundy, Great rivals in our youngest daughter's love, Long in our court have made their amorous sojourn, And here are to be answer'd. Tell me, my daughters,-- Since now we will divest us both of rule, Interest of territory, cares of state,-- Which of you shall we say doth love us most? That we our largest bounty may extend Where nature doth with merit challenge. Goneril, Our eldest-born, speak first. GONERIL Sir, I love you more than words can wield the matter: Dearer than eye-sight, space, and liberty; Beyond what can be valued, rich or rare; No less than life, with grace, health, beauty, honour; As much as child e'er loved, or father found; A love that makes breath poor, and speech unable; Beyond all manner of so much I love you. CORDELIA [Aside] What shall Cordelia do? Love, and be silent. KING LEAR Of all these bounds, even from this line to this, With shadowy forests and with champains rich'd, With plenteous rivers and wide-skirted meads, We make thee lady: to thine and Albany's issue Be this perpetual. What says our second daughter, Our dearest Regan, wife to Cornwall? Speak. REGAN Sir, I am made Of the selfsame metal that my sister is, And prize me at her worth. In my true heart I find she names my very deed of love; Only she comes too short: that I profess Myself an enemy to all other joys, Which the most precious square of sense possesses; And find I am alone felicitate In your dear highness' love. CORDELIA [Aside] Then poor Cordelia! And yet not so; since, I am sure, my love's More richer than my tongue. KING LEAR To thee and thine hereditary ever Remain this ample third of our fair kingdom; No less in space, validity and pleasure, Than that conferr'd on Goneril. Now, our joy, Although the last, not least; to whose young love The vines of France and milk of Burgundy Strive to be interess'd; what can you say to draw A third more opulent than your sisters? Speak. CORDELIA Nothing, my lord. KING LEAR Nothing! CORDELIA Nothing. KING LEAR Nothing will come of nothing: speak again. CORDELIA Unhappy that I am, I cannot heave My heart into my mouth: I love my father According to my bond, nor more nor less. KING LEAR How, how, Cordelia! mend your speech a little, Lest it may mar your fortunes. CORDELIA Good my lord, You have begot me, bred me, loved me: I Return those duties back as are right fit, Obey you, love you, and most honour you. Why have my sisters husbands, if they say They love you all? Haply, when I shall wed, That lord whose hand must take my plight shall carry Half my love with him, half my care and duty: Sure, I shall never marry like my sisters, To love my father all. KING LEAR But goes thy heart with this? CORDELIA Ay, good my lord. KING LEAR So young, and so untender? CORDELIA So young, my lord, and true. KING LEAR Let it be so; thy truth, then, be thy dower: For, by the sacred radiance of the sun, The mysteries of Hecate, and the night; By all the operation of the orbs From whom we do exist, and cease to be; Here I disclaim all my paternal care, Propinquity and property of blood, And as a stranger to my heart and me Hold thee, from this, for ever. The barbarous Scythian, Or he that makes his generation messes To gorge his appetite, shall to my bosom Be as well neighbour'd, pitied, and relieved, As thou my sometime daughter. KENT Good my liege,-- KING LEAR Peace, Kent! Come not between the dragon and his wrath. I loved her most, and thought to set my rest On her kind nursery. Hence, and avoid my sight! So be my grave my peace, as here I give Her father's heart from her! Call France; who stirs? Call Burgundy. Cornwall and Albany, With my two daughters' dowers digest this third: Let pride, which she calls plainness, marry her. I do invest you jointly with my power, Pre-eminence, and all the large effects That troop with majesty. Ourself, by monthly course, With reservation of an hundred knights, By you to be sustain'd, shall our abode Make with you by due turns. Only we still retain The name, and all the additions to a king; The sway, revenue, execution of the rest, Beloved sons, be yours: which to confirm, This coronet part betwixt you. KENT Royal Lear, Whom I have ever honour'd as my king, Loved as my father, as my master follow'd, As my great patron thought on in my prayers,-- KING LEAR The bow is bent and drawn, make from the shaft. KENT Let it fall rather, though the fork invade The region of my heart: be Kent unmannerly, When Lear is mad. What wilt thou do, old man? Think'st thou that duty shall have dread to speak, When power to flattery bows? To plainness honour's bound, When majesty stoops to folly. Reverse thy doom; And, in thy best consideration, cheque This hideous rashness: answer my life my judgment, Your youngest daughter does not love you least; Nor are those empty-hearted whose low sound Reverbs no hollowness. KING LEAR Kent, on thy life, no more. KENT My life I never held but as a pawn To wage against thy enemies; nor fear to lose it, Thy safety being the motive. KING LEAR Out of my sight! KENT See better, Lear; and let me still remain The true blank of thine eye. KING LEAR Now, by Apollo,-- KENT Now, by Apollo, king, Thou swear'st thy gods in vain. KING LEAR O, vassal! miscreant! [Laying his hand on his sword] ALBANY Dear sir, forbear. CORNWALL KENT Do: Kill thy physician, and the fee bestow Upon thy foul disease. Revoke thy doom; Or, whilst I can vent clamour from my throat, I'll tell thee thou dost evil. KING LEAR Hear me, recreant! On thine allegiance, hear me! Since thou hast sought to make us break our vow, Which we durst never yet, and with strain'd pride To come between our sentence and our power, Which nor our nature nor our place can bear, Our potency made good, take thy reward. Five days we do allot thee, for provision To shield thee from diseases of the world; And on the sixth to turn thy hated back Upon our kingdom: if, on the tenth day following, Thy banish'd trunk be found in our dominions, The moment is thy death. Away! by Jupiter, This shall not be revoked. KENT Fare thee well, king: sith thus thou wilt appear, Freedom lives hence, and banishment is here. [To CORDELIA] The gods to their dear shelter take thee, maid, That justly think'st, and hast most rightly said! [To REGAN and GONERIL] And your large speeches may your deeds approve, That good effects may spring from words of love. Thus Kent, O princes, bids you all adieu; He'll shape his old course in a country new. [Exit] [Flourish. Re-enter GLOUCESTER, with FRANCE, BURGUNDY, and Attendants] GLOUCESTER Here's France and Burgundy, my noble lord. KING LEAR My lord of Burgundy. We first address towards you, who with this king Hath rivall'd for our daughter: what, in the least, Will you require in present dower with her, Or cease your quest of love? BURGUNDY Most royal majesty, I crave no more than what your highness offer'd, Nor will you tender less. KING LEAR Right noble Burgundy, When she was dear to us, we did hold her so; But now her price is fall'n. Sir, there she stands: If aught within that little seeming substance, Or all of it, with our displeasure pieced, And nothing more, may fitly like your grace, She's there, and she is yours. BURGUNDY I know no answer. KING LEAR Will you, with those infirmities she owes, Unfriended, new-adopted to our hate, Dower'd with our curse, and stranger'd with our oath, Take her, or leave her? BURGUNDY Pardon me, royal sir; Election cannot be made so wise That your dishonour here in this choice. KING LEAR Then leave her, sir; for, by the power that made me, I tell you all her wealth. [To FRANCE] For you, great king, I would not from your love make such a stray, To match you where I hate; therefore beseech you To avert your liking a more worthier way Than on a wretch whom nature is ashamed Almost to acknowledge hers. FRANCE This is most strange, That she, that even but now was your best object, The argument of your praise, balm of your age, Most best, most dearest, should in this trice of time Commit a thing so monstrous, to dismantle So many folds of favour. Sure, her offence Must be of such unnatural degree, That monsters it, or your fore-vouch'd affection Fall'n into taint: which to believe of her, Must be a faith that reason without miracle Could never plant in me. CORDELIA I yet beseech your majesty,-- If for I want that glib and oily art, To speak and purpose not; since what I well intend, I'll do't before I speak,--that you make known It is no vicious blot, murder, or foulness, No unchaste action, or dishonour'd step, That hath deprived me of your grace and favour; But even for want of that for which I am richer, A still-soliciting eye, and such a tongue As I am glad I have not, though not to have it Hath lost me in your liking. KING LEAR Better thou Hadst not been born than not to have pleased me better. FRANCE Is it but this,--a tardiness in nature Which often leaves the history unspoke That it intends to do? My lord of Burgundy, What say you to the lady? Love's not love When it is mingled with regards that stand Aloof from the entire point. Will you have her? She is herself a dowry. BURGUNDY Royal Lear, Give but that portion which yourself proposed, And here I take Cordelia by the hand, Duchess of Burgundy. KING LEAR Nothing: I have sworn; I am firm. BURGUNDY I am sorry, then, you have so lost a father That you must lose a husband. CORDELIA Peace be with Burgundy! Since that respects of fortune are his love, I shall not be his wife. FRANCE Fairest Cordelia, that art most rich, being poor; Most choice, forsaken; and most loved, despised! Thee and thy virtues here I seize upon: Be it lawful I take up what's cast away. Gods, gods! 'tis strange that from their cold'st neglect My love should kindle to inflamed respect. Thy dowerless daughter, king, thrown to my chance, Is queen of us, of ours, and our fair France: Not all the dukes of waterish Burgundy Can buy this unprized precious maid of me. Bid them farewell, Cordelia, though unkind: Thou losest here, a better where to find. KING LEAR Thou hast her, France: let her be thine; for we Have no such daughter, nor shall ever see That face of hers again. Therefore be gone Without our grace, our love, our benison. Come, noble Burgundy. [Flourish. Exeunt all but GONERIL and REGAN] GONERIL Sister, it is not a little I have to say of what most nearly appertains to us both. I think our father will hence to-night. REGAN That's most certain, and with you; next month with us. GONERIL You see how full of changes his age is; the observation we have made of it hath not been little: he always loved our sister most; and with what poor judgment he hath now cast her off appears too grossly. REGAN 'Tis the infirmity of his age: yet he hath ever but slenderly known himself. GONERIL The best and soundest of his time hath been but rash; then must we look to receive from his age, not alone the imperfections of long-engraffed condition, but therewithal the unruly waywardness that infirm and choleric years bring with them. REGAN Such unconstant starts are we like to have from him as this of Kent's banishment. GONERIL There is further compliment of leave-taking between France and him. Pray you, let's hit together: if our father carry authority with such dispositions as he bears, this last surrender of his will but offend us. REGAN We shall further think on't. GONERIL We must do something, and i' the heat. [Exeunt]
Modern English
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The opening scene of King Lear functions as a masterful exposition that introduces the play's central concerns while establishing the tragic trajectory that will unfold. Shakespeare immediately presents the theme of appearance versus reality through the love test, where Lear mistakes his daughters' public performances for their private feelings. Goneril and Regan's elaborate speeches are filled with hyperbole and conventional language of courtly love, while Cordelia's honest simplicity—"I love your majesty / According to my bond, nor more nor less"—represents authentic feeling that Lear tragically fails to recognize.

The scene's structure creates powerful dramatic irony, as the audience immediately understands what Lear cannot: that his "good" daughters are manipulative flatterers while his "ungrateful" daughter speaks truth. Shakespeare uses parallel plotting by introducing the Gloucester subplot through the casual conversation about Edmund's illegitimate birth, establishing themes of legitimacy, social prejudice, and family dysfunction that will mirror and intensify the main plot.

Lear's famous declaration "Nothing will come of nothing" becomes tragically ironic, as Cordelia's "nothing" actually represents everything—honesty, genuine love, and moral integrity. This line also functions as foreshadowing, as Lear's rejection of "nothing" will ultimately lead to his losing everything. The repeated use of imagery relating to sight and blindness ("See better, Lear") establishes a crucial motif that will run throughout the play.

Kent's intervention serves multiple dramatic purposes: it demonstrates the loyalty that Lear foolishly rejects, provides moral commentary on the action, and establishes the theme of service versus self-interest. His banishment parallels Cordelia's, showing how Lear systematically destroys his own support system. The scene's conclusion, with Goneril and Regan's plotting, immediately reveals the consequences of Lear's poor judgment and sets the tragic events in motion.

"Nothing, my lord." — Cordelia (1.1.87)

"Nothing will come of nothing: speak again." — King Lear (1.1.90)

"I love your majesty / According to my bond, nor more nor less." — Cordelia (1.1.92-93)

"So young, my lord, and true." — Cordelia (1.1.108)

"Come not between the dragon and his wrath." — King Lear (1.1.122)

"See better, Lear; and let me still remain / The true blank of thine eye." — Kent (1.1.158-159)

"When majesty stoops to folly." — Kent (1.1.149)

"Love's not love / When it is mingled with regards that stand / Aloof from the entire point." — France (1.1.239-241)

"Fairest Cordelia, that art most rich, being poor; / Most choice, forsaken; and most loved, despised!" — France (1.1.251-252)

"'Tis the infirmity of his age: yet he hath ever / but slenderly known himself." — Regan (1.1.294-295)

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Mr. Shifflett's Note
Mr. Shifflett
Mr. Shifflett
English Teacher · Seoul International School
Hey! I built this study guide and sprinkled my own teaching notes throughout — look for the gold highlights ✎ as you read.

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