Twelfth Night Study Guide
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Act IV, Scene 2
Olivia's house

Scene Summary

Feste disguises himself as Sir Topas the curate to visit Malvolio, who has been locked in a dark room as a madman. In character, Feste torments Malvolio by insisting the room is full of light and testing his sanity with absurd philosophical questions. Sir Toby, growing nervous about the prank's consequences, signals it's time to end the joke. Feste then drops the disguise and speaks to Malvolio as himself, playing both roles simultaneously. Malvolio desperately begs for pen, ink, and paper to write to Olivia, and Feste eventually agrees to help.

Translation Style
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✨ Character Voice Translations PREMIUM
Original Text
[Enter MARIA and FESTE] MARIA. Nay, I prithee, put on this gown and this beard; make him believe thou art Sir Topas the curate: do it quickly; I'll call Sir Toby the whilst. [Exit] FESTE. Well, I'll put it on, and I will dissemble myself in't; and I would I were the first that ever dissembled in such a gown. I am not tall enough to become the function well, nor lean enough to be thought a good student; but to be said an honest man and a good housekeeper goes as fairly as to say a careful man and a great scholar. The competitors enter. [Enter SIR TOBY BELCH and MARIA] SIR TOBY BELCH. Jove bless thee, master Parson. FESTE. Bonos dies, Sir Toby: for, as the old hermit of Prague, that never saw pen and ink, very wittily said to a niece of King Gorboduc, 'That that is is;' so I, being master Parson, am master Parson; for, what is 'that' but 'that,' and 'is' but 'is'? SIR TOBY BELCH. To him, Sir Topas. FESTE. What, ho, I say! peace in this prison! SIR TOBY BELCH. The knave counterfeits well; a good knave. MALVOLIO. [Within] Who calls there? FESTE. Sir Topas the curate, who comes to visit Malvolio the lunatic. MALVOLIO. Sir Topas, Sir Topas, good Sir Topas, go to my lady. FESTE. Out, hyperbolical fiend! how vexest thou this man! talkest thou nothing but of ladies? SIR TOBY BELCH. Well said, master Parson. MALVOLIO. Sir Topas, never was man thus wronged: good Sir Topas, do not think I am mad: they have laid me here in hideous darkness. FESTE. Fie, thou dishonest Satan! I call thee by the most modest terms; for I am one of those gentle ones that will use the devil himself with courtesy: sayest thou that house is dark? MALVOLIO. As hell, Sir Topas. FESTE. Why it hath bay windows transparent as barricadoes, and the clearstores toward the south north are as lustrous as ebony; and yet complainest thou of obstruction? MALVOLIO. I am not mad, Sir Topas: I say to you, this house is dark. FESTE. Madman, thou errest: I say, there is no darkness but ignorance; in which thou art more puzzled than the Egyptians in their fog. MALVOLIO. I say, this house is as dark as ignorance, though ignorance were as dark as hell; and I say, there was never man thus abused. I am no more mad than you are: make the trial of it in any constant question. FESTE. What is the opinion of Pythagoras concerning wild fowl? MALVOLIO. That the soul of our grandam might haply inhabit a bird. FESTE. What thinkest thou of his opinion? MALVOLIO. I think nobly of the soul, and no way approve his opinion. FESTE. Fare thee well. Remain thou still in darkness: thou shalt hold the opinion of Pythagoras ere I will allow of thy wits, and fear to kill a woodcock, lest thou dispossess the soul of thy grandam. Fare thee well. MALVOLIO. Sir Topas, Sir Topas! SIR TOBY BELCH. My most exquisite Sir Topas! FESTE. Nay, I am for all waters. MARIA. Thou mightst have done this without thy beard and gown: he sees thee not. SIR TOBY BELCH. To him in thine own voice, and bring me word how thou findest him: I would we were well rid of this knavery. If he may be conveniently delivered, I would he were, for I am now so far in offence with my niece that I cannot pursue with any safety this sport to the upshot. Come by and by to my chamber. [Exeunt SIR TOBY and MARIA] FESTE. [Singing] 'Hey, Robin, jolly Robin, Tell me how thy lady does.' MALVOLIO. Fool! FESTE. 'My lady is unkind, perdy.' MALVOLIO. Fool! FESTE. 'Alas, why is she so?' MALVOLIO. Fool, I say! FESTE. 'She loves another'--Who calls, ha? MALVOLIO. Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and pen, ink and paper: as I am a gentleman, I will live to be thankful to thee for't. FESTE. Master Malvolio? MALVOLIO. Ay, good fool. FESTE. Alas, sir, how fell you besides your five wits? MALVOLIO. Fool, there was never a man so notoriously abused: I am as well in my wits, fool, as thou art. FESTE. But as well? then you are mad indeed, if you be no better in your wits than a fool. MALVOLIO. They have here propertied me; keep me in darkness, send ministers to me, asses, and do all they can to face me out of my wits. FESTE. Advise you what you say; the minister is here. Malvolio, Malvolio, thy wits the heavens restore! endeavour thyself to sleep, and leave thy vain bibble babble. MALVOLIO. Sir Topas! FESTE. Maintain no words with him, good fellow. Who, I, sir? not I, sir. God be wi' you, good Sir Topas. Marry, amen. I will, sir, I will. MALVOLIO. Fool, fool, fool, I say! FESTE. Alas, sir, be patient. What say you sir? I am shent for speaking to you. MALVOLIO. Good fool, help me to some light and some paper: I tell thee, I am as well in my wits as any man in Illyria. FESTE. Well-a-day that you were, sir! MALVOLIO. By this hand, I am. Good fool, some ink, paper and light; and convey what I will set down to my lady: it shall advantage thee more than ever the bearing of letter did. FESTE. I will help you to't. But tell me true, are you not mad indeed? or do you but counterfeit? MALVOLIO. Believe me, I am not; I tell thee true. FESTE. Nay, I'll ne'er believe a madman till I see his brains. I will fetch you light and paper and ink. MALVOLIO. Fool, I'll requite it in the highest degree: I prithee, be gone. FESTE. [Singing] I am gone, sir, And anon, sir, I'll be with you again, In a trice, Like to the old Vice, Your need to sustain; Who, with dagger of lath, In his rage and his wrath, Cries, ah, ha! to the devil: Like a mad lad, Pare thy nails, dad; Adieu, good man devil. [Exit]
Modern English

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This scene represents the darkest point of the Malvolio subplot — both literally and figuratively. Malvolio is imprisoned in darkness, gaslit by people pretending he is insane, and denied the basic tools to communicate with the person who could free him. What began as a prank has become something closer to psychological torture, and Shakespeare forces the audience to reckon with the cruelty embedded in comedy. Feste's performance as Sir Topas is a masterclass in theatrical layering. He plays a curate who is performing an exorcism on a man who is perfectly sane — fiction within fiction within fiction. His insistence that the dark room is flooded with light — "bay windows transparent as barricadoes" — inverts reality through language alone, demonstrating the power of authoritative speech to define what is "true." The scene is an epistemological nightmare for Malvolio: he knows the room is dark, but the voice of authority tells him otherwise, and his protests only confirm his supposed madness. Feste's philosophical test — Pythagoras's doctrine of the transmigration of souls — is cruelly absurd. Malvolio answers correctly that he doesn't approve of the opinion, yet Feste declares he must remain in darkness until he does. The "test" has no...

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"I am not mad, Sir Topas: I say to you, this house is dark." — Malvolio (IV.2.42)

"There is no darkness but ignorance; in which thou art more puzzled than the Egyptians in their fog." — Feste as Sir Topas (IV.2.43-44)

"They have here propertied me; keep me in darkness, send ministers to me, asses, and do all they can to face me out of my wits." — Malvolio (IV.2.89-91)

"I am as well in my wits as any man in Illyria." — Malvolio (IV.2.106)

Themes
Madness Cruelty Performance Revenge
Literary Devices
Dramatic Irony Disguise Dark Comedy Song
Characters
Maria Feste (Clown) Malvolio Sir Toby Belch
Motifs
Darkness Madness Disguise The Letter
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