Macbeth Study Guide
Color Theme
Easy Read
Research-backed spacing & contrast
Font Style
Sans Serif System Mono
Text Size
Act II, Scene 2
A room in the castle.

Scene Summary

Following the murder of King Duncan, which takes place offstage, Macbeth returns to his chamber with bloodied hands and the murder weapons still in his possession. He is deeply shaken by what he has done, describing strange voices and sounds he heard during the deed. Most disturbing to Macbeth is his inability to say "Amen" when he heard Duncan's guards pray, and a voice that seemed to cry "Sleep no more! Macbeth does murder sleep."

Lady Macbeth maintains her composure and immediately focuses on practical matters, chastising her husband for bringing the daggers away from the scene and for his obvious distress. When Macbeth refuses to return to Duncan's chamber, she takes the daggers herself to plant them on the sleeping guards and smear them with blood to frame them for the murder. While she is gone, persistent knocking at the castle gate fills Macbeth with terror, and he agonizes over whether all the ocean could wash the blood from his hands. Lady Macbeth returns, hands also bloodied, but maintains that "a little water clears us of this deed" and urges her husband to compose himself before they are discovered.

Translation Style
🔒 Premium — Act I free
✨ Character Voice Translations PREMIUM
Original Text
Enter LADY MACBETH LADY MACBETH That which hath made them drunk hath made me bold; What hath quench'd them hath given me fire. Hark! Peace! It was the owl that shriek'd, the fatal bellman, Which gives the stern'st good-night. He is about it: The doors are open; and the surfeited grooms Do mock their charge with snores: I have drugg'd their possets, That death and nature do contend about them, Whether they live or die. MACBETH [Within] Who's there? what, ho! LADY MACBETH Alack, I am afraid they have awaked, And 'tis not done. The attempt and not the deed Confounds us. Hark! I laid their daggers ready; He could not miss 'em. Had he not resembled My father as he slept, I had done't. Enter MACBETH My husband! MACBETH I have done the deed. Didst thou not hear a noise? LADY MACBETH I heard the owl scream and the crickets cry. Did not you speak? MACBETH When? LADY MACBETH Now. MACBETH As I descended? LADY MACBETH Ay. MACBETH Hark! Who lies i' the second chamber? LADY MACBETH Donalbain. MACBETH This is a sorry sight. [Looking on his hands] LADY MACBETH A foolish thought, to say a sorry sight. MACBETH There's one did laugh in's sleep, and one cried 'Murder!' That they did wake each other: I stood and heard them: But they did say their prayers, and address'd them Again to sleep. LADY MACBETH There are two lodged together. MACBETH One cried 'God bless us!' and 'Amen' the other; As they had seen me with these hangman's hands. Listening their fear, I could not say 'Amen,' When they did say 'God bless us!' LADY MACBETH Consider it not so deeply. MACBETH But wherefore could not I pronounce 'Amen'? I had most need of blessing, and 'Amen' Stuck in my throat. LADY MACBETH These deeds must not be thought After these ways; so, it will make us mad. MACBETH Methought I heard a voice cry 'Sleep no more! Macbeth does murder sleep', the innocent sleep, Sleep that knits up the ravell'd sleeve of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast,— LADY MACBETH What do you mean? MACBETH Still it cried 'Sleep no more!' to all the house: 'Glamis hath murder'd sleep, and therefore Cawdor Shall sleep no more; Macbeth shall sleep no more.' LADY MACBETH Who was it that thus cried? Why, worthy thane, You do unbend your noble strength, to think So brainsickly of things. Go get some water, And wash this filthy witness from your hand. Why did you bring these daggers from the place? They must lie there: go carry them; and smear The sleepy grooms with blood. MACBETH I'll go no more: I am afraid to think what I have done; Look on't again I dare not. LADY MACBETH Infirm of purpose! Give me the daggers: the sleeping and the dead Are but as pictures: 'tis the eye of childhood That fears a painted devil. If he do bleed, I'll gild the faces of the grooms withal; For it must seem their guilt. [Exit] MACBETH Whence is that knocking? How is't with me, when every noise appals me? What hands are here? ha! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand? No, this my hand will rather The multitudinous seas in incarnadine, Making the green one red. Re-enter LADY MACBETH LADY MACBETH My hands are of your colour; but I shame To wear a heart so white. [Knocking within] I hear a knocking At the south entry: retire we to our chamber; A little water clears us of this deed: How easy is it, then! Your constancy Hath left you unattended. [Knocking within] Hark! more knocking. Get on your nightgown, lest occasion call us, And show us to be watchers. Be not lost So poorly in your thoughts. MACBETH To know my deed, 'twere best not know myself. [Knocking within] Wake Duncan with your knocking! I would thou couldst! [Exeunt]
Modern English

Translation Unlocks Here

You've seen the side-by-side translation for Act I. Unlock the full play — all 27 scenes in 7 translation styles — for just $1.99.

Unlock All Translations — $1.99

This scene marks the climactic moment of the play's first movement and reveals the immediate psychological consequences of regicide. Shakespeare masterfully builds tension through dramatic irony — the audience knows Duncan has been murdered while the castle's inhabitants sleep unaware. The juxtaposition between Macbeth's psychological torment and Lady Macbeth's practical focus exposes their fundamentally different responses to guilt and evil.Macbeth's deteriorating mental state is evident in his fragmented dialogue and his fixation on religious imagery. His inability to say "Amen" suggests his crime has severed him from divine grace, while the voice crying "Sleep no more!" represents his conscience condemning him to permanent insomnia. The metaphor of sleep as "the innocent sleep" and "balm of hurt minds" emphasizes what Macbeth has destroyed — not just Duncan's life, but peace itself.The blood imagery reaches its peak with Macbeth's famous lines about Neptune's ocean, where Shakespeare employs hyperbole to show how Macbeth's guilt feels infinite and indelible. The contrast with Lady Macbeth's dismissive "a little water clears us of this deed" reveals her attempt to minimize the moral weight of their actions, though her earlier admission that she couldn't kill Duncan because he resembled her father hints at her own suppressed humanity.The...

Full Analysis Available

Unlock the complete literary analysis for all 27 scenes — themes, devices, character arcs, and connections to the play's trajectory.

Unlock for $1.99
Already have a key?

"I have done the deed. Didst thou not hear a noise?" — Macbeth (2.2.14)

"Had he not resembled / My father as he slept, I had done't." — Lady Macbeth (2.2.12-13)

"I could not say 'Amen,' / When they did say 'God bless us!'" — Macbeth (2.2.26-27)

"Methought I heard a voice cry 'Sleep no more! / Macbeth does murder sleep'" — Macbeth (2.2.32-33)

"Sleep that knits up the ravell'd sleeve of care" — Macbeth (2.2.35)

"Will all great Neptune's ocean wash this blood / Clean from my hand?" — Macbeth (2.2.58-59)

"My hands are of your colour; but I shame / To wear a heart so white." — Lady Macbeth (2.2.61-62)

"A little water clears us of this deed" — Lady Macbeth (2.2.64)

"To know my deed, 'twere best not know myself." — Macbeth (2.2.70)

"Wake Duncan with your knocking! I would thou couldst!" — Macbeth (2.2.71)

Loading tags...

Ask the Bard

Click any tag to explore where it appears across the play, then ask the Bard to explain how it works in this scene.

Exploring tag...
The Bard's Take
Ask the Bard to explain how this element appears in this scene
Click a tag to search.
Ask the Bard about this scene
Type at least 2 characters to search
Character Map
Loading characters...
Off-Screen Activities
Loading activities...
Scene Quiz
1 / 5

Loading questions...

Mr. Shifflett's Note
Mr. Shifflett
Mr. Shifflett
English Teacher · Seoul International School
Hey! I built this study guide and sprinkled my own teaching notes throughout — look for the gold highlights ✎ as you read.

These are the same insights I share with my students in class. I hope they help you see what makes Shakespeare's writing so brilliant. Enjoy!
SIS Teachers
Sign in with your @siskorea.org email for free full access to this guide and all GradeWise study guides — every scene, translation, and premium feature.
Sign In with SIS Email
How Easy Read Helps

These settings are based on peer-reviewed research on reading and dyslexia. They improve readability for everyone, not just students with dyslexia.

Extra letter & word spacing The single biggest research-backed improvement. Reduces "crowding" — where nearby letters interfere with recognition. Improves speed and accuracy.
Taller line height 1.5× or greater line spacing helps the eye track from line to line without losing place.
Sans-serif font Eye-tracking research shows sans-serif fonts improve reading performance over serif fonts. Letters appear less crowded.
Off-white backgrounds Pure white can appear too dazzling. Cream backgrounds produced the fastest reading times in research with dyslexic readers. Individual preference varies, so we offer choices.
Bold instead of italic Italic text makes letters run together, worsening crowding. Bold provides emphasis without reducing readability.
Shorter line length Lines of 60–70 characters are recommended. Longer lines make it harder to find the start of the next line.

Sources: British Dyslexia Association Style Guide (2023), Zorzi et al. (PNAS, 2012), Rello & Baeza-Yates (W3C, 2012), Sjoblom et al. (Annals of Dyslexia, 2016). Full research summary available on request.