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Paradise Lost: Closing Lines (Book XII)
John Milton (1608-1674)
Blank verse (iambic pentameter)

About This Poem

Paradise Lost: Closing Lines (Book XII) are the most moving conclusion in English epic poetry. Adam and Eve, expelled from Paradise, look back to see the gate guarded by angels with "fiery arms." They shed "some natural tears" — the understatement is devastating — then turn to face the world. The final image — "They hand in hand with wandering steps and slow, / Through Eden took their solitary way" — is heartbreakingly beautiful: they are alone, yet together; lost, yet guided by Providence; mourning, yet moving forward. Milton gives humanity's greatest catastrophe the tenderness of a love story.

Translation Style
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Original Text
In either hand the hastening angel caught Our lingering parents, and to the eastern gate Led them direct, and down the cliff as fast To the subjected plain; then disappeared. They looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide: They hand in hand with wandering steps and slow, Through Eden took their solitary way.
Modern English
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Analysis of Paradise Lost: Closing Lines (Book XII)

Historical and Literary Context

John Milton's "Paradise Lost," published in 1667, stands as one of the most significant works in English literature. Written during the tumultuous period of the English Civil War and its aftermath, the epic poem reflects Milton's personal struggles with faith, politics, and human suffering. The closing lines of Book XII represent the culmination of Milton's ambitious attempt to "justify the ways of God to men," as stated in the poem's opening invocation. These final verses were composed during a time when Milton, a staunch Puritan and political activist, was grappling with the failure of the Commonwealth and the restoration of the monarchy under Charles II. The historical context of religious upheaval and political disappointment infuses these closing lines with profound emotional and philosophical weight.

Milton's epic follows the classical tradition of works such as Virgil's "Aeneid" and Homer's "Odyssey," yet transforms the genre by making humanity's fall from grace rather than military conquest the central concern. The closing lines serve as the denouement of this vast narrative, providing resolution to the cosmic drama that has unfolded across twelve books. By ending with Adam and Eve's expulsion from Paradise, Milton creates a poignant moment that bridges the biblical narrative with human experience, making the abstract theological concept of the Fall immediately relatable to his readers.

Structure and Form

These closing lines employ blank verse, the unrhymed iambic pentameter that Milton chose for the entire epic. This formal choice was revolutionary for English epic poetry, as it departed from the rhymed couplets favored by earlier poets. The blank verse creates a natural, conversational tone while maintaining the elevated dignity appropriate to epic subject matter. The passage consists of thirteen lines, with varying line lengths and rhythmic patterns that subtly reinforce the emotional content.

  • The opening lines employ active verbs—"caught," "led," "disappeared"—creating a sense of swift divine action
  • The middle section shifts to passive observation as Adam and Eve "look back" at Paradise
  • The final lines slow the pace with "wandering steps and slow," creating a meditative conclusion
  • The enjambment throughout the passage creates a flowing, inevitable movement forward

Milton's structural choices mirror the emotional journey of the passage: from the urgent action of expulsion, through the painful moment of looking back, to the resigned acceptance of exile. The variation in line length and stress patterns creates a rhythmic movement that propels readers forward while simultaneously allowing them to pause and reflect on the significance of each moment.

Key Imagery and Symbolism

The imagery in these closing lines operates on multiple levels, combining concrete physical description with profound spiritual significance. The "eastern gate" functions both as a literal geographical location and as a symbol of the boundary between the divine and human realms. The "flaming brand," the sword of the cherubim, represents God's justice and the irreversible nature of humanity's expulsion. This image of divine fire creates a visual barrier that Adam and Eve cannot cross, emphasizing the permanence of their fall.

The "subjected plain" below Paradise represents the fallen world that awaits humanity—a world subject to sin, suffering, and mortality. The contrast between the elevated Paradise and the plain below creates a spatial representation of humanity's diminished state. The "dreadful faces" and "fiery arms" of the angels guarding the gate emphasize the terror of divine judgment, yet these figures also serve a protective function, preventing any attempt at re-entry.

The act of looking back carries profound symbolic weight. In classical literature, looking back often signifies a fatal mistake, as in the myth of Orpheus and Eurydice. However, Milton's treatment is more complex: Adam and Eve's tears acknowledge their loss without suggesting defiance or the futility of their situation. The tears are "natural" and quickly wiped away, suggesting both genuine grief and the necessity of moving forward.

Major Themes

The passage encapsulates several of Milton's central preoccupations throughout "Paradise Lost." The theme of obedience and disobedience remains implicit in the expulsion itself—the consequence of Adam and Eve's choice to eat the forbidden fruit. Yet Milton complicates simple moral judgment by presenting the couple with dignity and even a measure of hope.

Providence emerges as a crucial theme in the final lines. The statement that "Providence their guide" suggests that despite their exile, Adam and Eve are not abandoned by God. This divine guidance offers a counterpoint to the apparent harshness of their expulsion, suggesting that even in punishment, God's care continues. This theme would have resonated deeply with Milton's Puritan readers, who believed in divine providence guiding human history toward ultimate redemption.

The theme of human agency and choice appears in the phrase "where to choose / Their place of rest." Despite their fallen state, Adam and Eve retain the capacity to make decisions and shape their future. This suggests that the Fall, while catastrophic, does not entirely strip humanity of dignity or agency. The world lies "all before them," implying infinite possibility alongside exile.

Loss and grief permeate the passage, yet they are tempered by acceptance and forward movement. Milton acknowledges the genuine tragedy of the Fall while suggesting that human resilience and divine grace offer paths forward.

Emotional Impact and Tone

The emotional register of these lines shifts from the urgent and terrifying to the melancholic and resigned. The initial action of the angel "hastening" to catch the "lingering parents" creates tension and movement. The description of Paradise "waved over" by the flaming sword evokes a sense of loss and finality. Yet the final image of Adam and Eve walking "hand in hand with wandering steps and slow" generates a poignant tenderness that mitigates the harshness of their expulsion.

The phrase "Some natural tears they dropped, but wiped them soon" captures the emotional complexity of the moment. The tears acknowledge genuine suffering, yet their quick dismissal suggests courage and acceptance. This balance between grief and fortitude creates a deeply human moment within the epic's cosmic scope.

Significance and Legacy

These closing lines represent one of literature's most powerful meditations on loss, exile, and human resilience. By ending "Paradise Lost" not with cosmic triumph but with a quiet, solitary journey into an uncertain world, Milton transforms the biblical narrative into a profoundly human story. The passage has influenced countless subsequent works exploring themes of exile, loss, and redemption.

The final image of Adam and Eve walking together into the world has become iconic in Western literature, representing both the tragedy of human fall and the possibility of human endurance. Milton's closing lines suggest that while paradise may be lost, the capacity for love, choice, and growth remains. This complex vision—neither purely pessimistic nor naively optimistic—continues to resonate with readers seeking to understand human suffering and possibility within a divinely ordered universe.

In either hand the hastening angel caught / Our lingering parents, and to the eastern gate / Led them direct, and down the cliff as fast

This opening image establishes the urgency of Adam and Eve's expulsion. The angel's haste contrasts with the parents' reluctance, emphasizing their unwillingness to leave Paradise and the inevitability of their fate.

They looking back, all the eastern side beheld / Of Paradise, so late their happy seat, / Waved over by that flaming brand, the gate

This poignant moment captures the human impulse to look back at what is lost. The description of Paradise as "so late their happy seat" emphasizes the recency of their fall and the permanence of their separation from Eden.

Some natural tears they dropped, but wiped them soon

This brief but powerful line reveals the emotional weight of expulsion while suggesting human resilience. The tears are "natural" and human, yet quickly suppressed, indicating the beginning of acceptance and adaptation to their new condition.

The world was all before them, where to choose / Their place of rest, and Providence their guide

This statement transforms the expulsion into an opening of possibility. Though cast out, Adam and Eve are not abandoned; Providence guides them, and the entire world lies open before them, suggesting hope amid loss.

They hand in hand with wandering steps and slow, / Through Eden took their solitary way

The poem's final image is one of profound dignity and companionship. Despite their solitude and the slowness of their departure, Adam and Eve face the future together, hand in hand, embodying both loss and the endurance of human connection.

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