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My Lute, Awake!
Sir Thomas Wyatt (1503-1542)
Rhyme royal variant

About This Poem

My Lute, Awake! by Sir Thomas Wyatt is one of the great Tudor lyrics, a farewell both to love and to song. The speaker addresses his lute, declaring their music-making at an end because his beloved is as unyielding as stone. Yet the poem's controlled bitterness builds to a warning: time will wither her beauty, and she will regret her cruelty. The refrain "for I have done" carries both resignation and quiet triumph — the poet reclaims his dignity by choosing silence.

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Original Text
My lute, awake! Perform the last Labour that thou and I shall waste, And end that I have now begun; For when this song is sung and past, My lute, be still, for I have done. As to be heard where ear is none, As lead to grave in marble stone, My song may pierce her heart as soon. Should we then sigh or sing or moan? No, no, my lute, for I have done. The rocks do not so cruelly Repulse the waves continually As she my suit and affection. So that I am past remedy, Whereby my lute and I have done. Proud of the spoil that thou hast got Of simple hearts, thorough Love's shot; By whom, unkind, thou hast them won, Think not he hath his bow forgot, Although my lute and I have done. Vengeance shall fall on thy disdain That makest but game on earnest pain. Think not alone under the sun Unquit to cause thy lovers plain, Although my lute and I have done. Perchance thee lie withered and old The winter nights that are so cold, Plaining in vain unto the moon. Thy wishes then dare not be told. Care then who list, for I have done. And then may chance thee to repent The time that thou hast lost and spent To cause thy lovers sigh and swoon. Then shalt thou know beauty but lent, And wish and want as I have done. Now cease, my lute. This is the last Labour that thou and I shall waste, And ended is that we begun. Now is this song both sung and past; My lute, be still, for I have done.
Modern English
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Literary Analysis of "My Lute, Awake!" by Sir Thomas Wyatt

Historical and Literary Context

Sir Thomas Wyatt (1503-1542) was one of the most significant English poets of the Renaissance, serving as a courtier and diplomat during the reign of Henry VIII. "My Lute, Awake!" exemplifies the courtly love tradition that dominated Renaissance poetry, yet it also marks a departure from conventional expressions of devotion. Written during a period when English poetry was heavily influenced by Italian forms and themes, particularly through the works of Petrarch, Wyatt's poem represents a crucial moment in the development of English lyric poetry. The poem likely dates from the 1520s-1530s and reflects the complex emotional and social dynamics of court life, where romantic rejection was a common experience for ambitious courtiers seeking favor from noble women.

The poem belongs to the tradition of courtly love poetry but subverts many of its conventions. Rather than endlessly praising an unattainable beloved, Wyatt's speaker declares his intention to cease his romantic efforts entirely. This represents a bold rejection of the Petrarchan tradition, which typically demanded perpetual devotion regardless of reciprocation. Wyatt's innovation lies in his assertion of agency and dignity in the face of rejection, a theme that would influence English poetry for centuries to come.

Structure and Form

The poem consists of eight stanzas of five lines each, creating a structured yet flexible framework for the speaker's emotional journey. Each stanza follows a rhyme scheme of AABBB, which creates a sense of inevitability and closure through the repeated final rhyme. This structural choice is particularly significant because the repeated "B" rhyme—often ending with variations of "done"—reinforces the speaker's central message of finality and resignation. The refrain-like quality of "for I have done" appearing in nearly every stanza creates a rhythmic insistence that mirrors the speaker's determination to move forward.

The meter is primarily iambic, though Wyatt employs variations that create emphasis and emotional intensity. The opening and closing stanzas mirror each other almost exactly, creating a circular structure that suggests both completion and inevitability. This formal symmetry reinforces the poem's theme of closure and provides a satisfying sense of resolution. The five-line stanza allows Wyatt to develop his argument progressively while maintaining tight control over his language and imagery.

Key Imagery and Symbolism

The lute serves as the poem's central symbol, representing both the speaker's poetic voice and his romantic devotion. By addressing the lute directly, Wyatt personifies his instrument as a companion in suffering, creating an intimate dialogue between poet and tool. The lute's "awakening" at the poem's beginning and its final silencing represent the arc of the speaker's emotional journey from active pursuit to deliberate withdrawal.

Wyatt employs powerful natural imagery to convey the futility of his romantic efforts:

  • Rocks repulsing waves represent the beloved's cruel and continuous rejection, suggesting that her resistance is as immovable and natural as stone
  • Winter nights and withering age symbolize the inevitable decay that awaits the proud beloved, suggesting that her beauty and power will not endure
  • The moon serves as a witness to the beloved's future suffering, suggesting cosmic indifference to human emotion
  • Lead and marble stone represent the weight and permanence of the speaker's pain, yet also suggest that his words may ultimately prove as ineffective as lead against stone

These images work together to create a landscape of emotional desolation while simultaneously asserting the speaker's determination to transcend that desolation through withdrawal and self-preservation.

Major Themes

The primary theme of "My Lute, Awake!" is the speaker's deliberate renunciation of unrequited love. Unlike traditional courtly love poetry that celebrates eternal devotion, Wyatt's poem celebrates the speaker's decision to cease his efforts and reclaim his dignity. This represents a psychological and emotional turning point, where the speaker recognizes that continued pursuit of an indifferent beloved serves only to diminish his own worth.

A secondary but crucial theme is the reversal of fortune and the inevitable consequences of cruelty. The speaker predicts that his beloved will eventually experience the same rejection and despair she has inflicted upon him. This theme of retribution, whether through divine vengeance or the natural passage of time, provides a form of consolation and suggests that justice operates in the world, even if delayed. The speaker's prophecy that the beloved will "lie withered and old" and come to regret her pride offers a form of poetic justice that compensates for present suffering.

The poem also explores themes of agency and self-determination. By commanding his lute to be still, the speaker asserts control over his own emotional narrative. Rather than being a passive victim of love, he becomes an active agent in his own liberation. This assertion of will and dignity was particularly significant in Renaissance literature and reflected emerging ideas about individual agency and self-determination.

Emotional Impact and Tone

The poem's emotional trajectory moves from resignation to defiance to prophecy to final acceptance. The repeated refrain "for I have done" creates a hypnotic quality that emphasizes the speaker's determination while also suggesting a kind of exhaustion. The tone is neither bitter nor self-pitying; instead, it maintains a dignified restraint that makes the speaker's pain more poignant precisely because it is controlled and articulated with such precision.

The shift in the final stanza from "My lute, be still, for I have done" to "Care then who list, for I have done" represents a crucial emotional movement. The speaker moves from addressing his lute to addressing a general audience, suggesting that his private decision has become a public statement. This expansion of scope gives the poem a universal quality, allowing readers to recognize their own experiences of rejection and recovery in the speaker's journey.

Significance and Legacy

"My Lute, Awake!" represents a crucial moment in the development of English Renaissance poetry. Wyatt's willingness to subvert the Petrarchan tradition and assert the speaker's agency influenced subsequent English poets, including his contemporary Henry Howard, Earl of Surrey, and later poets of the Elizabethan era. The poem demonstrates that English poetry could achieve sophistication and emotional depth while departing from Italian models, helping to establish a distinctly English poetic tradition.

The poem's exploration of emotional recovery and self-determination continues to resonate with modern readers. Its assertion that dignity and self-worth must take precedence over romantic devotion speaks to contemporary concerns about healthy relationships and emotional boundaries. Wyatt's technical mastery, combined with his psychological insight, makes "My Lute, Awake!" a masterpiece of Renaissance lyric poetry that rewards careful reading and continues to offer profound insights into the human heart.

My lute, awake! Perform the last / Labour that thou and I shall waste, / And end that I have now begun; / For when this song is sung and past, / My lute, be still, for I have done.

The opening stanza establishes the poem's frame and central refrain. The speaker commands his lute to perform one final song before falling silent, signaling both the end of his musical expression and his emotional resignation regarding his unrequited love.

As to be heard where ear is none, / As lead to grave in marble stone, / My song may pierce her heart as soon.

Through vivid metaphors of futility, Wyatt expresses the hopelessness of his situation. His words are as ineffective as speaking to deaf ears or as impossible as turning lead into marble—her heart remains unmoved by his pleas.

The rocks do not so cruelly / Repulse the waves continually / As she my suit and affection.

This comparison elevates the lady's cruelty to a natural, almost cosmic force. The relentless rejection surpasses even nature's harshness, emphasizing the speaker's complete and utter defeat in love.

Proud of the spoil that thou hast got / Of simple hearts, thorough Love's shot; / By whom, unkind, thou hast them won, / Think not he hath his bow forgot.

The speaker addresses the lady directly, accusing her of cruelty and pride in her conquests. He warns that Cupid (Love) has not abandoned his bow, suggesting that she too may eventually suffer love's wounds, turning the tables on her disdain.

Vengeance shall fall on thy disdain / That makest but game on earnest pain.

Here the speaker shifts from resignation to a prophetic curse, warning that the lady's mockery of genuine suffering will be punished. This moment reveals the anger beneath his controlled resignation.

Perchance thee lie withered and old / The winter nights that are so cold, / Plaining in vain unto the moon. / Thy wishes then dare not be told.

The speaker envisions the lady's future loneliness and aging, imagining her own unrequited pleas to an indifferent moon. This reversal of fortune serves as both warning and subtle revenge fantasy.

And then may chance thee to repent / The time that thou hast lost and spent / To cause thy lovers sigh and swoon. / Then shalt thou know beauty but lent, / And wish and want as I have done.

The final prophecy suggests the lady will eventually experience the same longing and loss she has inflicted on others. The phrase "beauty but lent" emphasizes that her power is temporary, offering the speaker a bittersweet consolation.

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