British Poetry Collection Study Guide
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It Was a Lover and His Lass
William Shakespeare (1564-1616)
Song with refrain

About This Poem

It Was a Lover and His Lass is the most joyous of Shakespeare's songs, from As You Like It (c. 1599). Its infectious nonsense refrains ("hey nonino," "hey ding a ding, ding") and carpe diem message ("take the present time") celebrate young love in springtime with irresistible verve. The song's original musical setting by Thomas Morley survives, making it one of the few Shakespeare songs for which we have the contemporary tune. Beneath the frivolity lies the familiar reminder: "life was but a flower."

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Original Text
It was a lover and his lass, With a hey, and a ho, and a hey nonino, That o'er the green corn-field did pass In the spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding: Sweet lovers love the spring. Between the acres of the rye, With a hey, and a ho, and a hey nonino, These pretty country folks would lie, In spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding: Sweet lovers love the spring. This carol they began that hour, With a hey, and a ho, and a hey nonino, How that a life was but a flower In spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding: Sweet lovers love the spring. And therefore take the present time, With a hey, and a ho, and a hey nonino; For love is crowned with the prime In spring time, the only pretty ring time, When birds do sing, hey ding a ding, ding: Sweet lovers love the spring.
Modern English
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Literary Analysis: It Was a Lover and His Lass

Literary Analysis: "It Was a Lover and His Lass" by William Shakespeare

Historical and Literary Context

"It Was a Lover and His Lass" appears in Shakespeare's comedy "As You Like It," believed to have been written between 1599 and 1600. The song is performed in Act V, Scene III by two young characters, Touchstone and Audrey, though the lyrics are attributed to the pastoral world of the Forest of Arden. This placement is significant, as it occurs near the play's conclusion when multiple couples are preparing for marriage, making the song a celebration of love's triumph and the renewal associated with springtime.

The song exemplifies the pastoral tradition popular during the Renaissance, a literary movement that idealized rural life and shepherds as vehicles for exploring sophisticated themes about love, mortality, and human nature. Shakespeare employs this convention to create a work that operates simultaneously on multiple levels—as a simple folk song and as a profound meditation on time, love, and mortality. The song's inclusion in a theatrical work also reflects the Elizabethan practice of incorporating music and dance into dramatic performances, enhancing emotional resonance and audience engagement.

Structure and Form

The poem consists of four stanzas of eleven lines each, creating a highly regular and memorable structure. Each stanza follows a consistent pattern: two lines of narrative or description, followed by the refrain "With a hey, and a ho, and a hey nonino," then two more lines advancing the thought, another refrain variation, and concluding with the repeated line "Sweet lovers love the spring." This architectural precision creates a song-like quality that would have been easy for audiences to remember and sing along with.

The refrain serves multiple functions: it provides rhythmic momentum, creates a participatory element for listeners, and establishes a joyful, almost dance-like tone. The repetition of "hey nonino" and the onomatopoetic "ding a ding, ding" mimic the sounds of birds and musical instruments, transforming the poem into an auditory experience. Shakespeare's use of iambic meter, though not perfectly regular, gives the lines a natural, conversational flow that contrasts with the more rigid formality of much Renaissance poetry, making the work accessible and emotionally immediate.

Key Imagery and Symbolism

Spring functions as the dominant image throughout the poem, representing not merely a season but a state of being characterized by renewal, fertility, and emotional awakening. The "green corn-field" and "acres of the rye" ground the poem in agricultural reality while simultaneously evoking pastoral idealism. These natural settings provide the backdrop for love to flourish, suggesting that human emotion is intertwined with natural cycles and rhythms.

The "ring time" is particularly significant, potentially referencing both the circular shape of a ring (symbolizing commitment and eternity) and the ringing of bells (associated with celebrations and weddings). This compressed image encapsulates the poem's central concern: the moment when love reaches its fullest expression. The birds singing represent nature's participation in human joy, with their song mirroring and validating the lovers' emotions. The repeated reference to birdsong creates a harmony between human and natural worlds, suggesting that love is not merely a human invention but a fundamental force reflected throughout creation.

Major Themes

The most prominent theme is the celebration of love and its connection to spring and youth. The poem presents love not as a complex, troubling emotion but as a natural, joyful force that deserves immediate gratification and celebration. This optimistic view of romance aligns with the comedic genre of "As You Like It," where love typically leads to happiness and social harmony.

Closely related is the theme of carpe diem—seize the day. The fourth stanza explicitly urges readers to "take the present time," acknowledging that spring and youth are fleeting. The image of life as "but a flower" suggests the transience of human existence and the necessity of appreciating beauty and love while they are available. This memento mori element adds philosophical depth to what might otherwise be a simple love song, reminding audiences of mortality's shadow even as they celebrate life's pleasures.

  • The harmony between human emotion and natural cycles
  • The primacy of love in human experience and social order
  • The tension between timelessness and temporal limitation
  • The innocence and purity of pastoral love
  • The communal nature of celebration and shared emotion

Emotional Impact and Tone

The poem's emotional register is predominantly joyful and celebratory, yet tinged with subtle melancholy. The infectious rhythm and repeated refrains create an almost irresistible sense of merriment, inviting audiences to participate in the lovers' happiness. The onomatopoetic elements—"hey nonino," "ding a ding, ding"—produce a musical, almost childlike quality that conveys innocence and delight.

However, the underlying awareness of mortality and transience adds emotional complexity. The lovers are not presented as naive; they understand that life is fleeting ("a life was but a flower"), yet this knowledge does not diminish their joy but rather intensifies it. This mature perspective—celebrating fully while acknowledging limitation—creates a poignant emotional depth that elevates the poem beyond mere entertainment into genuine wisdom about human experience.

Significance and Legacy

"It Was a Lover and His Lass" remains one of Shakespeare's most beloved and frequently performed works. Its accessibility makes it valuable for introducing students to Shakespeare's artistry, while its thematic richness rewards deeper analysis. The poem demonstrates Shakespeare's mastery of multiple registers: he can write both popular entertainment and profound philosophy without sacrificing either quality.

The song's enduring appeal lies in its universal themes and formal perfection. It captures something essential about human experience—the desire for love, the awareness of time's passage, and the need to celebrate beauty and connection—in language that feels both timeless and immediate. For contemporary readers and audiences, the poem offers an escape into an idealized pastoral world while simultaneously speaking to perennial human concerns, making it as relevant today as in Shakespeare's era.

It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o'er the green corn-field did pass
In the spring time, the only pretty ring time

This opening establishes the poem's romantic setting and introduces the cyclical refrain that becomes the song's defining feature. The "hey nonino" creates a playful, musical quality that emphasizes the lighthearted nature of young love.

Sweet lovers love the spring.

This simple, declarative statement serves as the emotional core of the refrain. It directly connects romantic love with the season of renewal and growth, suggesting that spring is the natural time for love to flourish.

Between the acres of the rye,
These pretty country folks would lie,
In spring time, the only pretty ring time

This verse depicts the lovers in an idyllic pastoral setting, emphasizing the innocence and natural beauty of their romance. The rural imagery grounds the love story in a timeless, idealized countryside.

How that a life was but a flower
In spring time, the only pretty ring time

This metaphor presents life as transient and beautiful, like a flower that blooms in spring. It introduces a subtle melancholy beneath the song's cheerful surface, suggesting the fleeting nature of youth and love.

And therefore take the present time,
For love is crowned with the prime
In spring time, the only pretty ring time

This concluding verse offers the song's central wisdom: seize the moment while love and youth are at their peak. The phrase "crowned with the prime" elevates love to a position of honor and supremacy during spring.

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