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They Flee from Me
Sir Thomas Wyatt (1503-1542)
Rhyme royal

About This Poem

They Flee from Me is widely considered Wyatt's finest poem and one of the greatest lyrics in English. It opens with an ambiguous image — are these women or deer who once came tamely to the speaker's chamber? The central stanza crystallizes into a specific, unforgettable memory: a woman's loose gown falling from her shoulders, her embrace, her whispered "Dear heart, how like you this?" The final stanza's bitter wordplay on "kindely" (both "naturally" and "kindly") makes the poem a masterpiece of controlled indignation. The poem is thought to reference Anne Boleyn.

Translation Style
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Original Text
They flee from me, that sometime did me seek, With naked foot stalking in my chamber. I have seen them, gentle, tame, and meek, That now are wild, and do not remember That sometime they put themselves in danger To take bread at my hand; and now they range, Busily seeking with a continual change. Thanked be Fortune it hath been otherwise, Twenty times better; but once in special, In thin array, after a pleasant guise, When her loose gown from her shoulders did fall, And she me caught in her arms long and small, Therewith all sweetly did me kiss And softly said, 'Dear heart, how like you this?' It was no dream, I lay broad waking. But all is turned, thorough my gentleness, Into a strange fashion of forsaking; And I have leave to go, of her goodness, And she also to use newfangleness. But since that I so kindely am served, I fain would know what she hath deserved.
Modern English
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Literary Analysis: "They Flee from Me" by Sir Thomas Wyatt

Historical and Literary Context

Sir Thomas Wyatt's "They Flee from Me" stands as one of the most significant poems of the English Renaissance, composed during the early sixteenth century when courtly love poetry dominated literary circles. Wyatt, a diplomat and poet at the court of Henry VIII, helped introduce the sonnet form to English literature, though this particular poem employs a different structure. The poem reflects the turbulent world of Tudor court life, where romantic relationships were often entangled with political intrigue and social hierarchy. Written during a period when women had limited agency and men wielded considerable power in romantic relationships, the poem presents a fascinating reversal of expected gender dynamics, making it remarkably progressive for its time.

The poem belongs to the tradition of courtly love poetry, which emphasized idealized romantic devotion and the pursuit of an often unattainable beloved. However, Wyatt subverts many conventions of this tradition, presenting a speaker who is abandoned rather than eternally devoted, and who questions the fairness of his treatment. This departure from convention reveals Wyatt's innovative approach to poetic form and emotional authenticity.

Structure and Form

The poem consists of three stanzas of seven lines each, written primarily in iambic pentameter with occasional variations that create emphasis and emotional impact. This structure, known as terza rima-influenced verse, demonstrates Wyatt's technical mastery and his ability to adapt Italian poetic forms to English. The rhyme scheme of ABAB CCC in each stanza creates a sense of progression and resolution within each unit, while the repetition of this pattern across three stanzas provides structural unity.

  • The first stanza establishes the central complaint through extended metaphor
  • The second stanza shifts to a specific memory, moving from general observation to particular experience
  • The third stanza returns to philosophical reflection and accusation

This three-part movement creates a narrative arc that moves from observation to memory to judgment. The varying line lengths and strategic use of enjambment contribute to the poem's conversational tone, making it feel like an intimate address to the reader rather than a formal declaration.

Key Imagery and Symbolism

The poem's central extended metaphor compares the speaker's beloved and her companions to wild animals that once came to him willingly. The image of creatures "stalking in my chamber" with "naked foot" suggests both intimacy and vulnerability. These animals are described as "gentle, tame, and meek," qualities that contrast sharply with their current state of wildness. This animal imagery serves multiple purposes: it emphasizes the naturalness and innocence of their former relationship, while also suggesting that the beloved's current behavior represents a departure from her true nature.

The second stanza abandons the animal metaphor for more sensual, human imagery. The description of the beloved in "thin array" with her "loose gown" falling from her shoulders creates a vivid, intimate scene. The physical details—"her arms long and small," the sweetness of her kiss, her tender words—contrast sharply with the emotional coldness of the present situation. This shift from metaphorical to literal language emphasizes the reality and significance of what was lost.

The concept of "Fortune" in the opening of the second stanza represents both chance and fate. By thanking Fortune, the speaker acknowledges that his brief moment of happiness was a gift, a fortunate occurrence in an otherwise difficult romantic life. This invocation of Fortune connects the poem to Renaissance philosophy and the unpredictability of human experience.

Major Themes

The poem explores several interconnected themes that resonate across centuries. The primary theme concerns the pain of abandonment and the speaker's struggle to understand why he has been forsaken. Unlike traditional courtly love poetry where the speaker patiently endures unrequited love, this poem presents a speaker who has actually been loved and now faces the more complex pain of lost intimacy.

A second crucial theme involves the tension between gentleness and its consequences. The speaker suggests that his own "gentleness" has contributed to his abandonment—his kindness and lack of possessiveness have allowed his beloved to pursue "newfangleness," or novelty. This creates an ironic situation where virtue becomes a liability, and the speaker questions whether his gentle treatment deserves such harsh treatment in return.

The poem also examines the nature of memory and reality. The speaker's insistence that "It was no dream, I lay broad waking" emphasizes the reality of what occurred and suggests that he must defend the authenticity of his experience against the possibility that it might be dismissed as mere fantasy. This assertion of reality gives weight to his complaint and validates his emotional response.

Finally, the poem addresses questions of fairness and desert—what people deserve based on their actions. The closing rhetorical question, "what she hath deserved," suggests that the speaker believes his beloved's behavior is unwarranted and perhaps undeserved, yet he cannot or will not punish her for it.

Emotional Impact and Tone

The emotional trajectory of the poem moves from wounded observation to vivid memory to bitter questioning. The speaker's tone is not one of self-pitying despair but rather of controlled anger and confusion. The conversational quality of the language—phrases like "Thanked be Fortune" and "I fain would know"—creates an intimate address that draws readers into the speaker's emotional world. The poem's power lies in its refusal to offer easy resolution or self-righteous condemnation. Instead, it presents a complex emotional situation where the speaker acknowledges his own role in his misfortune while still questioning its justice.

Significance and Legacy

This poem remains significant for its innovative treatment of romantic disappointment and its subtle exploration of gender dynamics. By presenting a male speaker who is abandoned by a woman who exercises her own agency and choice, Wyatt challenges conventional representations of courtly love. The poem's influence on subsequent English poetry is substantial, particularly in its demonstration that authentic emotional experience could be more powerful than elaborate poetic convention.

"They Flee from Me" continues to resonate with modern readers because it captures universal experiences of loss, confusion, and the painful gap between what was and what is. Its technical sophistication combined with emotional honesty makes it a masterpiece of Renaissance poetry and a testament to Wyatt's enduring literary importance.

They flee from me, that sometime did me seek, / With naked foot stalking in my chamber.

The opening couplet establishes the poem's central paradox: those who once pursued the speaker now abandon him. The intimate image of "naked foot stalking" suggests both vulnerability and familiarity, setting the tone for a meditation on lost affection and betrayal.

I have seen them, gentle, tame, and meek, / That now are wild, and do not remember

This passage emphasizes the dramatic transformation of the speaker's beloved(s) from docile and affectionate to wild and forgetful. The contrast between past gentleness and present wildness underscores the speaker's sense of loss and confusion at this reversal.

That sometime they put themselves in danger / To take bread at my hand

The metaphor of feeding from the speaker's hand suggests both nurturing care and a power dynamic. This image of willing vulnerability and trust makes the current abandonment even more poignant, as the speaker recalls a time of mutual devotion.

In thin array, after a pleasant guise, / When her loose gown from her shoulders did fall

The poem shifts to a specific, sensual memory of the beloved in a moment of intimate vulnerability. The detailed description of her undressing creates a vivid, erotic image that contrasts sharply with the present coldness, intensifying the emotional impact of loss.

And softly said, 'Dear heart, how like you this?'

This direct quotation captures a moment of tender affection and playful seduction. The beloved's gentle question emphasizes her past warmth and intimacy, making the current estrangement all the more painful by highlighting what has been lost.

It was no dream, I lay broad waking.

This emphatic assertion insists on the reality of the past happiness and intimacy. By denying that it was merely a dream, the speaker emphasizes that the loss is genuine and irreversible, grounding the poem in concrete emotional truth.

But all is turned, thorough my gentleness, / Into a strange fashion of forsaking

The speaker attributes the reversal to his own "gentleness," suggesting that his kindness and restraint may have enabled the beloved's departure. This complex self-reflection reveals the speaker's ambivalence about whether he is victim or unwitting accomplice in his own abandonment.

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